New York City played host to a trifecta of art fairs that brought in hundreds of gallery owners, artists, and contemporary art work from around the world this weekend. Frieze at Randall’s Island, NADA at Pier 36, and I was lucky enough to attend the third, PULSE New York at The Metropolitan Pavilion. I arrived there with my friend Skims, and we were immediately drawn in by the first booth of exhibitors, The West Collection (Pennsylvania). I gravitated toward the two pieces below and complete sensory overload commenced.
Photo ©Bernadette Cruz
Detail of 2011-24, watercolor, acrylic, gouache, screen print. ©Alex Lukas
Detail of 2011-26, watercolor, acrylic, gouache, screen print. ©Alex Lukas
I knew very quickly that I was going to walk through the rest of the art show as if I was in a dream. I was in art heaven, if I believed there was such a thing, floating on cloud nine taking in the photographs, sculptures, installations, paintings, and all the hard work and emotions that come with. After meeting up with more friends to enjoy the show with, Skims and I left cultural stimulated a little more than two hours later. We grabbed a bite to eat nearby, and I didn’t even need a drink – now that’s rare!
See more photos I took of the gorgeously inspiring artworks below, including a friend of .stART here. Allison Green‘s “Everything Changes” series, which chronicles the life cycle of sunflowers, with exhibitor Susan Eley Fine Art (New York).
Sunflowers, Oil on Canvas, 60″ X 48″. ©Allison Green
©William Betts at Richard Levy (New Mexico)
natural pigments and acrylic on canvas. ©Salustiano at Kavachnina Contemporary (Florida)
Embassy, mixed media on heavy paper. ©Abel Barroso at Embassy Pan American Art Projects (Florida)
Las Conquistadoras, acrylic on paper in artist frames, dimensions of installation vary. ©Carol K. Brown at Nohra Haime Gallery (New York)
Discipline Considered an Option, c-print mounted on aluminum, 45″ X 69″. ©Rune Guneriussen at Waltman Ortega Fine Art (Miami – Paris)
Piazza San Marco, hand cut archival paper, 50″ X 85.5″. Thomas Witte at Davidson Contemporary (New York)
©Scherer & Ouporov at Kavachnina Contemporary (Florida)